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Limits Take-Away Melee Sight/Seeing Chronocopia

High Holdings is a framework that addresses unfolding depictions of the world that may appear unrecognizable but are truly products of terrestrial occupation. High Holdings explores our sensibilities to discern within massive change.
Ѽ  Limits Nothing left. Ө  Take Away In the World, but Not Of It. Ԅ  Melee Everything simultaneously. Ѯ  Sight/Seeing The image as the precursor of the spatial project. Ҩ  Chronocopia The abundance of time.
Anaïs Nin, December 9, 1935 Robert Shields, I am Behind on Typed Entries Ramset, RS22 Operator's Manual Kenneth E. Hartman, Searching for the Beautiful Prison Moyra Davey, Cuts Conlon Nancarrow, Nothing but Proportions Disneyland Staff, Attraction Showmanship 29 Co-Authors, How to Be Indifferent Ann Quin, Letter to Number 7 Judith, Confidential Krispy Kreme Memo Joshua Keith Richards, Unnatural Nature Thomas Moynihan, TH12. Global Vertebral Telegraphy & Neural Neuzeit Kwame Anthony Appiah, Professional Relativism Boris Groys, From Image to Image File—and Back Jamie Kuehn, The Mirador Hotel Emanuele Coccia, The World of the Sensible Dominic Oliver, Spatial Pharmakon: Screen Disgust with the Post-Leisure Mediainterior Jim Franzen, Two Myths Debunked (an Amazon comment) ★★★★★ Praveen Paranagamage, European Patent Application Karen Barad, Mushroom Clouds Lea D'Albronn Allexandre, Better than Well 4chan user No.7726560, I Just LOVE the Hustle Bill Viola, Will there be Condominiums in Data Space? Wolfgang Schivelbusch, Railroad Space and Railroad Time Thomas Jenkins, A Trajectory Through a Home
Kwame Anthony Appiah Karen Barad Teresa Castro Emanuele Coccia Moyra Davey Alia Farid Susanne Graner Amelia Groom Boris Groys Isobel Harbison Kenneth E. Hartman Eleni Ikoniadou Adam Jasper Emanuele Lugli Sawako Nakayasu Anaïs Nin Conlon Nancarrow Shusha Niederberger Thomas Moynihan Ann Quin Brandon Covington Sam-Suman Judith Schalansky Wolfgang Schivelbusch Robert Shields Robert Smithson Nick Thurston Benoît Turquety Ben Vickers Bill Viola Zairong Xiang Kentaro Yamada
L.Ajlan D.Arnold-Jones M.Asante M.Atsumeda F.P.Beltrame J.Benisty C.Bennett R.Bradley L.Bryan K.Carroll A.Chan A.Ching C.T.K.Ching E.Choi L.A.D'Albronn E.V.Dawson A.De Vere A.Dineva L.Duffey M.Fakhori A.Farmer K.Frew A.Hassan T.Hunter T.Jenkins F.Karim J.Kuehn A.Kumar N.Langridge T.S.A.Li A.Q.Ma G.Mills R.Moldoveanu B.Mortlock A.Nieto A.O'Leary D.Oliver P.Paranagamage D.Patel A.Price H.Postins J.K.Richards C.Robalino M.Rooney F.Scobie A.Scorgie F.Sheppard P.Skulchokchai W.C.R.Szeto J.Tang L.Tartakover S.Teo G.Thornton H.Tindale G.Uyar M.Wear A.Whitehead H.T.C.Wong W.L.C.Wong L.S.Yee N.B.Young N.Zhan M.Zhang
Convened by Valle Medina and Benjamin Reynolds of Pa.LaC.E, Basel/London. High Holdings is currently at the Royal College of Arts, London.
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Take-Away. In the World, but Not Of It. Melee. Everything simultaneously. Sight/Seeing. The image as the precursor of the spatial project. Chronocopia. The abundance of time. High Holdings Trades